magic

The Mystery of the 7th Book

The Mystery of the 7th Book - Thursday Thoughts - Mark Toland.png

When people ask me how I got into this I always say the same thing.

“I learned everything from books!"

It’s true. I grew up in a small town. There were no other performers I could learn from or videos I could watch (these were the pre-internet days) so I spent most of my time at the public library reading every magic book I could.

Back then if you wanted to find me between school getting out at 3pm and catching a ride home with my dad two hours later, you only needed to look back in the corner of the library at the legendary position of 793.8 in the Dewey Decimal System. Those were the call numbers for the magic books - all seven of them.

I learned everything I could from those books. I’d check one out and read it cover to cover. Then, I’d swap it for the next one and so on. Those seven books were all I had and I must have read them dozens of times throughout my childhood.

Over the years I’ve been trying to track down those seven books to add to my collection. Some were harder to find than others. I found one at a used book store in the Chicago suburbs and another one in a garage sale. A friend gifted me the Houdini book I was looking for and I tracked a few of the others down at conventions.

But there was always one book I couldn't find. It was a book by The Amazing Kreskin, one of my first introductions to the fine art of reading people’s minds. For some reason, I’d never come across the book in my travels.

That is, until recently. I was between shows in Maine when I wandered into a used book store. I walked up to the counter with my usual query.

“Do you have any magic books?”

The lady behind the counter barely looked up, gesturing to the back of the store with a wave of her hand.

I walked down the aisle and spotted a small section of books on the bottom shelf. As I knelt down for a better look I noticed a book had fallen onto the floor behind the shelf. I reached between the other books, lifted it out, and there it was: the seventh book!

My collection was complete. After years of casually assembling my collection, I finally had my hands on the full set of books that set me down the path toward my eventual career. Those books had defined my life since I was in kindergarten. Especially the Kreskin one.

I absentmindedly flipped through the book and noticed an inscription in the front. The book was signed to someone else.

I’m not sure who that other person was or where he got it signed. I’m not sure what journey the book took to wind up in my hands in Portland, ME after all those years. But I like to think that in some mysterious way we were on a collision course and it was only a matter of time before I found it.

Why do I say that, you ask? Because Kreskin had autographed it for another person - ANOTHER PERSON NAMED MARK. But now, I like to think he signed it for me.

 
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Elevate

Whatever you do in life, whatever your career or hobby or part-time job might be, promise me one thing: Promise me that you will never trivialize what you do. It’s disrespectful to yourself, your colleagues, and people that might be interested in your endeavors.

Don't get me wrong - you don’t have to take yourself seriously, but you should take what you do very seriously. You should always be aiming to elevate what you do so that people will respect it and appreciate it on a higher level. Diminishing what you do with self-deprecation or lame jokes creates a negative stereotype of your craft that you should work hard to avoid.

My only examples of this are from within the entertainment world where I spend the majority of my time. I have a magician friend who thinks it’s clever to make self-deprecating jokes about what he does, such as “I don’t really tell jokes…because being a magician is already a joke” or (after doing an obviously difficult demonstration of skill) “Are you surprised that I don’t have a girlfriend?”.

I’m not trying to call out a friend here. In fact, you could attribute those jokes to many magicians and they would still apply. And that’s the problem. Making those sorts of jokes creates a negative impression of magic in the minds of the audience. And if there are multiple performers out there doing it then not only is it unoriginal but it’s reinforcing the childish opinion of magic that many audience members may already have.

When I go to another performer’s show I always watch the audience. I’m always trying to learn, so I watch to see how engaged they are and if they’re enjoying the performance. Are they leaning forwards? Or are they on their phones? Are they whispering to each other in amazement or out of boredom? Are they rolling their eyes or fully immersed in the performance? Are they enjoying the show?

If you casually watched my friend’s performance you might think the audience was enjoying those jokes. After all, they’re laughing and smiling so it’s all good, right?

Wrong.

Upon closer inspection you’d notice sections of the audience starting to shift uncomfortably. I can tell the audience members are thinking to themselves “Wait, I paid $100 a ticket to see some guy feel sorry for himself and tell me how dumb this is?”

This kind of performance gives our art a bad name. It makes people view it as a distraction or something trivial. And it makes it harder for someone that takes it seriously (like I do) to get other people to do the same.

What I wish my friend would do is to ELEVATE our craft. I wish instead of diminishing the time he spent learning something by admitting he “doesn’t have a girlfriend” that he would explain to the audience that they’re about to see something “so wondrous that you’ll remember it for the rest of your life”. I don’t want him to say that his career is “a joke” because that implies that mine is, too. Yeah, they’re laughing but those are easy laughs. Work harder, man.

I don't for a second believe that magic or mentalism is the most important thing in the world. I’m not fighting fires or curing diseases. I’m just an entertainer, that’s all. But that doesn’t mean that I shouldn’t take what I do seriously. Entertainment is still important. We need entertainers to transport us, if only for an hour, so we can get away from the struggles we all go through on a daily basis. That’s the joy of what I do and why I do my best not to trivialize it.

Years ago I heard a magician share this poem on an old VHS tape. It’s stuck with me ever since:

I saw them tearing a building down,
a gang of men in my home town.
With a heave, and a ho and a “yes yes” yell,
they swung a beam and a side wall fell.
I asked the foreman, “Are these men skilled?
Like those you would use if you had to build?”
He laughed and replied “Oh no, indeed!
The most common labor is all I need.
You see I can destroy in a day or two,
what it would take a builder 10 years to do!”
I thought to myself as I went on my way,
which of these roles am I willing to to play?
Am I the one that is tearing down?
As I carelessly make my way around?
Or am I the one that builds with care?
So that my craft and community are better because I was there?
- Anonymous

Whether I’m performing for 15 people or 15,000, I always use my show as an opportunity to elevate what I do in the minds of the audience and give them a night to remember. I’m cognizant that I’m a representative of my industry and what I do will affect other people that do it, too.

So, my question for you is this: Are you elevating what you do? No matter your field, please find ways to share your passion and get others to respect it, too.


Other Thoughts:

 
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